CURRICULUM VITAE

Education

Ph.D. History of Consciousness, University of California, Santa Cruz.

Areas of specialty: Literary Theory, Poetics, Gender Studies, and Cultural Theory. Admitted, September 1983. Oral Examinations, May 1987. Completion, June 1990

M.A., St. John’s Graduate Institute, Santa Fe, New Mexico, 1980. Classical Literature and Philosophy

                       

B.A., Evergreen State College, Olympia, Washington, 1977. Literature, Cultural Theory, Poetics

Interdisciplinary Education: The History of Consciousness program promotes advanced interdisciplinary work in the humanities and social sciences. My work focused on literary, cultural, and feminist theoretical approaches to modernist literature.

Publications

Scholarly

Coming Events (collected writing), cross-genre, essays & criticism, Nightboat Books, New York, 2013

Narrative’s Journey: The Fiction and Film Writing of Dorothy Richardson, (criticism), Peter Lang Publishing, New York, 1995

"Belief's Afterimage," Jacket, online magazine (essay), #10, 2000. http://www.jacket.zip.com.au

“Into Ellipse: Geographic and Grammatic Disappearance in Dorothy Richardson’s Pilgrimage,” Feminist Studies, An Interdisciplinary Journal, Vol 26, (essay), 1997

"Documentary," (essay), Vol. 2, No. 1, 1995

“Figment of Appointment,” (essay) Chain, Vol 1, No. 3, (on poly-genre/multimedia work), 1996

“A Place Ajar,” (essay), Apocalypse and Contemporary Poetics, a collection, 1995

“Preface: Methods and Intent," (preface to Narrative’s Journey), Mirage/(Period)ical, San Francisco, 1994

“Doctor Editor,” Chain, Vol. 1, No. 1, (essay on Gender and Editing), Buffalo, New York, 1994

“Without Event: The Reign of Commotion,” A Poetics of Criticism, (essay) LEAVE Books, Buffalo,

New York, 1994

“Poetics,” Writing from the New Coast: Technique, (essay) o.blék, Buffalo, New York, Spring/Fall, 1993

“Recreative Delights and Spiritual Exercise: Pantheism as Aesthetic Practice in Dorothy Richardson’s Pilgrimage,” West Coast Line, Simon Fraser University, Burnaby, Canada, 1992

“Dorothy Richardson Taken Place,” (essay), raddle moon, Vancouver, Canada, 1992

“Wanderyahre: The Poetics and Politics of Travel in Dorothy Richardson’s Pilgrimage,” PRAXIS, Spring/Summer, 1987, Rutgers University, New Jersey, 1987 

“Generic Protocols: Poetic Readings of Feminist Science Fiction; Science Fictive Readings of Feminist Poetry,” Proceedings of the Barnard Conference, Barnard College, New York, 1987

“Dorothy Richardson’s Writing on Film: Reading and Viewing Practices,” HOW(ever) Journal, Volume III, Number 2, 1986

Literary, Books

 

Sun Worship, chapbook, Yoyo Labs, Brooklyn, NY, forthcoming 2023

BURNS, Pamenar Press, London, 2022

Hotel abc, Nightboat Books, New York, 2016

Aerodrome Orion and Starry Messenger, Kelsey Street Press, Berkeley, CA, 2010

Broadcast, Trafficker Press, San Francisco, 2009

Prosthesis : : Caesarea, Little Red Leaves: http://littleredleaves.com/ebooks/, 2009    

Thrall, Post Apollo Press, Sausalito, CA, 2007 

OMATIC & after ST JOHN, (chapbook), dPress, Sebastopol, 2006

Hourglass Transcripts, Burning Deck Press, Providence, Rhode Island, 2001

Spelt, (chapbook) by Susan Gevirtz and Myung Mi Kim, a+bend press, 1999

Black Box Cutaway, Kelsey Street Press, Berkeley, CA, 1999

Prosthesis : : Caesarea, (limited edition /30), Potes and Poets Press, Elmwood, CT, 1994

Taken Place, (), Reality Street Editions, Cambridge, England, 1993

Linen minus, (chapbook), Avenue B Press, Bolinas, CA, 1992

Domino: point of entry, (chapbook), LEAVE Books, Buffalo, New York, 1992

Korean and Milkhouse, ABACUS (chapbook), Potes and Poets Press, Elmwood, Connecticut, 1991

                       

Journals and Anthologies

—Recent inclusion in Journals and Anthologies available online, and by request

Elderly 31 https://elderlymag.tumblr.com/, 2020

Second Stutter, Volume Four, 2019

#MeToo: A Poetry Collective: http://chicagoreview.org/metoo/. 2019

Entropy, http://entropymag.org, 2019

GUEST 2 [a journal of guest editors] edited by Brenda Iijima, 2019 guestpoetryjournal.blogspot.com/

Solidarity Texts, edited by Laynie Brown, https://jacket2.org/feature/solidarity-texts, 2018

Textsound, an online audio publication, http://textsound.org/index.php?ISSUE=23, 2018

Best Experimental Writing, Weselyan University Press, anthology, 2018

Almost Island, New Delhi, 2013  https://almostisland.com/monsoon_2013/poetry/notes_from_pre.html
Outer Event, Jacket, 2013, https://jacket2.org/article/outer-event

Hambone, 2012

Mandorla, Mexico City, 2011

Poeticanet.com, (poetry), Starry Messenger, in English and Greek, translated by Vassilis Manousakkis, Athens, Greece, 2008

Academy of American Poets.org, “Poem A Day,” May 7, 2008

Kadar Koli, issue1, Vol II, (poetry), Texas/ Buffalo, New York, 2008

How2 www.asu.edu/pipercwcent, “Uneven Uneventfulness: Kathleen Fraser’s Discrete Categories Forced Into Coupling, Vol. 2, Issue 4

Bay Poetics, (poetry anthology), Stephanie Young, editor, Faux Press, Cambridge, MA, 2006

Poetry Salzburg Review, University of Salzburg, Austria

The Grand Permission: New Writings On Motherhood, Patricia Dientsfrey and Brenda Hillman, editors, Wesleyan University Press

Hambone, No.16, (poetry), Santa Cruz, CA, 2002

untitled, A Journal of Prose Poetry, Santa Cruz, CA, 2002

Aufgabe, (poetry / essay), "Belief's Afterimage: The Recent Work of Barbara Guest," New York, 2001

hemorragingimaging, Vol 1, No 1, Minneapolis, Minnesota, 2001

Narrativity, Vol 1, No 2, (poetry), www.SFSU.edu/~newlit/Narrativity.com, San Francisco, 2001

Primary Writing, (poetry postcard series), Washington, D.C., 2000

Ernst Jandl in Translation, Rosemary Waldrop, editor, "Dichten =" series; Burning Deck, Rhode Island, 2000

Outlet, No.6, poetry, Berkeley, CA, 2000

Poets & Poems, St. Mark's Poetry Project, www.poetryproject.com, 2000

Prosodia No. 8, New College of California Poetics Journal, San Francisco, 1999

Chain, No. 6, Honolulu, New York, Philadelphia, 1999

Rooms, Vol 6, San Francisco, 1999

Crayon, Vol. 1, No. 2, New York, 1998

Proliferation, San Francisco, 1998

Moving Borders: Three Decades of Innovative Writing by Women, (anthology of poetry and poetics),

Talisman House Press, 1997

Ankle Press, (poetry booklets, one for each featured poet), English text translated into French on facing pages, Cambridge, England, 1997

Conjunctions 28, (poetry), New York, 1997

raddle moon, (translation), Canada, 1997

Tinfish 5, (poetry), Hawaii, 1997

Proliferation, (poetry), San Francisco, 1997

RIBOT, (poetry), Los Angeles, CA, 1997

Volt, (poetry), San Anselmo, CA, 1997

OASii, (poetry, broadside series), Ra’anana, Israel, 1996

Purge, (poetry), London, England, 1994

Rooms, No. 1, (poetry), San Leandro, CA, 1994

AVEC, Nos. 7 & 8, (poetry), Penngrove, CA, 1994

“Rooted,” A conversation between Susan Gevirtz and Elaine Equi on poetics of place, Village Voice Literary Supplement: Contemporary American Poetry issue, April, 1994

The Art of Practice, (anthology), Potes & Poets Press, Elmwood, Connecticut, 1994

Notus 12, (poetry), Other Wind Press, Ann Arbor, Michigan, 1993

Black Bread, (poetry), Rhode Island, 1993

Situation, (poetry), Buffalo, New York, 1993

LYRIC&, (poetry), San Francisco, 1993

Writing from the New Coast: Presentation, collection of poetry from “First Festival of New Poetry,”

State University of New York at Buffalo, April, 1993; published by o.blek, Spring/Fall, 1993

AVEC, No. 6, (poetry), Penngrove, CA, 1993

Five Fingers Review, No. 10, (poetry), San Francisco, 1991

Cathay, No. 1, (poetry), Chicago, Illinois, 1991

AVEC, No. 4, (poetry), Penngrove, CA, 1990

Spectacles, No. 1, (poetry), San Francisco, 1990

Mirage, (poetry), San Francisco, Fall, 1988

Tyuonyi, No. 4, (poetry), Santa Fe, New Mexico, Fall, 1987

How(ever) Journal, Volume III, No. 4, San Francisco, 1987

Artweek, Oakland, CA, Book Reviews, 1981

Pegasus Poetry Anthology, National Poetry Press, Agoura, CA, 1981

Helix International Magazine, (poetry), Ivanhoe, Australia, 1981

William Stafford Award Competition, First Honorable Mention and publication, Washington State Poets Association, 1981

Puerto Del Sol, (poetry), Las Cruces, New Mexico, 1981

Au Verso, (poetry), Santa Fe, New Mexico, Spring and Fall, 1980

Grants, Residencies, Awards

Affiliate, year-long residency, Headlands Center for the Arts, Sausalito, CA 2016–2017

Residency, House of Literature, Paros, Greece, 2015

Residency, Foundation Marc de Montalembert, Rhodes, Greece: On alternative economies, 2015

Kindergarde: Avant-garde Poems, Plays & Stories for Children: Creative Work Fund, grant for a group of artists to individually write an "experimental" play, poem, or story to be performed in Poets Theater productions around the Bay Area and published in a children's anthology, 2009; one of the first innovative/experimental literary anthologies for young children in the U.S.

Bay Area Award in Literature, New Langton Arts, San Francisco, 2000

Innovative Programs Grant, Sonoma State University, 1996; the design and implementation of a “Reading Film” component in the Hutchins Humanities School curriculum

Who’s Who in Poetry and Poets Encyclopedia, 8th edition, Oxford University Press, 1996

Affirmative Action Faculty Development Grant, Sonoma State University, 1993

Graduate Student Research Award, University of California at Santa Cruz, 1989

Feminist Studies Organized Research Association Award, 1987

Patent Fund Award: Research at The Bienecke Library, Yale University / The New York Public Library, 1986

University of California Regents Graduate Fellowship, 1983

Teaching

Mentor/Writing Teacher, Prison Renaissance: https://www.prisonrenaissance.org/philosophy, 2019—

Professor, Masters in Visual and Critical Studies & Masters in Fine Arts Programs—Undergraduate Writing and Visual Studies, California College of the Arts, San Francisco, Fall 2009–2017

Professor, MFA in Creative Writing: Poetry, Mills College, Oakland, CA, Spring 2008–2012

Professor, Hellenic International School of the Arts, Paros, Greece. Summer 2003–2005

Professor, Masters in Visual Criticism Program, California College of Arts and Crafts, San Francisco,

Fall 2002–Spring 2005

Professor, Masters of Fine Arts in Creative Writing, San Francisco State University, San Francisco,

Spring Fall 1999–2001, Spring 2002, Fall 2003, Spring 2009

Assistant Professor, Hutchins School of Liberal Studies, Sonoma State University, Rohnert Park, CA, 1989–1998; and Fall 2000

An interdisciplinary program focusing on Humanities, Literature, Philosophy, Science, the Arts, and Gender Studies. All classes are taught in seminar format with emphasis on critical discussion, reading, and writing. I taught across disciplines with the opportunity to invent and implement courses that reflect my own fields of specialty.

Professor, California College of Arts and Crafts, Oakland, CA, Fall 1989–Spring 1991

Introductory “Literature and Writing” classes and advanced elective seminar “Literature of The Avant-Garde.”

                                                                                                                                   

Professor, University of San Francisco, San Francisco, Fall 1988–Spring 1989

Courses focused on both literature and writing in one of the most internationally diverse student populations in California.

Lecturer, University of California at Santa Cruz, 1986

Intensive: “Introductory Poetry Reading and Writing” workshop that emphasized development in skills of reading, writing, critique, and experiment, focusing on student critique of student poetry.

Teaching Assistant, University of California at Santa Cruz, 1983–1987

I have assisted in the teaching of a wide variety of courses, among them: a writing workshop focusing on the rewriting of classic myths from a contemporary viewpoint, which accompanied the lectures in: “Classic Myth and Modern Meaning,” with Professor Norman O. Brown; “Religion and Myth,” Professor Gary Lease; and, “The Literature and Politics of Political Theory,” Professor Peter Euben.

           

Teacher/Poet, California Poets in the Schools, San Francisco, 1984–1986.

As a Teacher/Poet in high school to kindergarten classrooms, I augmented the formal curriculum. I offered basic skills in the writing and reading of poetry, provided writing exercises, introduced vocabulary for the discussion of poetry and literature, and introduced tools with which student and other poetry could be critiqued. New ways of using language became methods of exploring and articulating thoughts related to studies in math, science, the humanities and life outside of school. Workshops granted permission and provided an occasion for students to connect the formal curriculum, their daily experiences and imaginations.

Visiting Faculty, The Aegean College of Fine Arts, Paros, Greece, 1985

Teacher/artist in the Aegean College’s Artist-in-Residence workshop series; I offered an intensive writing and reading workshop called, ‘Classic Myth in Modern Culture.’ The workshop involved seminar style discussions of reading, as well as writing exercises and critique of student writing; along with independent poetry writing tutorials and evening lectures, open to the community.

Presentations, Projects, Interviews

 

Panel discussion: Feminist Publishing and Editorial Practices, with Didem Yacizi, curator and Sarah Shin, publisher, at the HOW(ever) — Portikus Art Book Festival, Portikus Museum, Frankfurt, Germany, 2022

 

Presentation: Relay: The History and Present of HOW(ever) journal, Portikus Art Book Festival, Portikus Museum, Frankfurt, Germany, 2022

 

&Now Conference, Panel Chair: Beyond Return: Translation, Diaspora, and the Poetics and Politics of Origin, my presentation, “Guide School”

Interview, Los Angeles Review of Books, 2017, conducted by Andy Fitch, for Poetries of the Present about Nightboat Books authors. https://blog.lareviewofbooks.org/interviews/single-kind-discourse-will-believable-talking-susan-gevirtz/

Interview San Francisco Weekly, 2014. The Write Stuff: Susan Gevirtz on Making Something from What’s at Hand that Wasn’t Evident Before

http://www.sfweekly.com/exhibitionist/2014/08/21/the-write-stuff-susan-gevirtz-on-making-something-from-whats-at-hand-that-wasnt-evident-before

Conversation between Benjamin Hollander and Susan Gevirtz, The Conversant / Volta, October, 2013

Interview, Poet As Radio, 2014. http://traffic.libsyn.com/poetasradio/susan_gevirtz.mp3

PENN SOUND center for programs in contemporary writing: audio recordings, 1993–2013

http://writing.upenn.edu/pennsound/x/Gevirtz.php

Paros Symposium. Annual meeting of Greek and Anglophone poets to discuss the respective cultural contexts of our work, translate and discuss one another’s work, poetics, give poetry readings and talks. Organized by myself and Greek poet Siarita Kouka, subsequently co-organized by Greek-American poets Helen Dimos and Eleni Stecopoulos. Held at “The House of Literature,” a center for writers, editors, and translators run by the Greek government on Paros island.(2004–2006). From 2005–2007 presented by EKEMEL a European organization for the book. Ongoing… The Center For Hellenic Studies of Harvard, Nafplion, Greece. http://chs.harvard.edu/CHS/article/display/44

Talk on Poetics, SUNY Buffalo, 2006

“Aerodrome Orion” sound work produced in collaboration with British sound artist Scanner (aka Robin Rimbaud) using sound and poetry to produce an audio environment. Poetry, text, and visuals performed as part of “Poetry in Performance” series, New Langton Arts, San Francisco, 2006

Small Press Traffic (literary arts organization, board member), 2001–2004, San Francisco

          

"Motion Picture Home" (play), written and performed for Poets Theatre Jubilee Festival, Small Press Traffic & New Langton Arts, San Francisco, 2002

Collaboration with writer and sound artist Andrew Klobucar, (poetry / sound collage), presented at Small Press Traffic, San Francisco, 2001

"Strange Models and Unusual Uses of Form in Poetry," panel, Oakland, CA, 2001

"there there sensation and interruption," Installation and durational performance by Margaret Tedesco, with voice recording reading my poetry (40 min., loop); in collaboration with Andrew Klobucar sound/poetry; The LAB, San Francisco, 2000

Interview and reading on my work and the history of my writing practice, with poet Kathleen Fraser; Mills College, Oakland, CA, 1999

"Subtitled," a collaboration between four performance artists, myself and my poetry from Black Box Cutaway accompanying the silent film "Warning Shadows," Germany, 1923 as part of the San Francisco Arts Commission Gallery exhibition “Fear”; performed at San Francisco Cinématheque & Small Press Traffic, 1999

“Between Screen and Page: the motion of the written seen,” an event I curated and designed: one filmmaker, one film collective, and one poet/videomaker, screened and discussed their work, presented by Small Press Distribution & San Francisco Cinématheque, 1996

“Mapping: Writer’s on Writing,” a series of readings and discussions by poets about their writing processes, Mills College, Oakland CA, 1994

“Collision: The Constraints of Place in Time,” or “Reading the Context that Writes Back,” a poetry reading and writing workshop presented by Poets and Writers Inc. and by invitation, to poet Terry Ehret’s class at Sonoma State University, California, Spring, 1994

Presentation/Consultation to Montgomery High School faculty on interdisciplinary curriculum design and seminar methods, Spring, 1994

“Women in Art,” panel presented by Women’s Resource Center, Sonoma State University, 1994

“Through the House: Notes on Coming to Writing,” delivered at the conference, “Modernism: Politics and Influence,” Kings College, Cambridge, England, 1993

“Writing from the New Coast: First Festival of New Poetry,” (panel discussions & poetry readings).

Department of English, University at Buffalo, State University of New York, April, 1993

“‘Skyey Apparition, White Searchlight’: In the Interstices—Dorothy Richardson’s Writings on the Early Silent Film,” (panel), “Feminists/Modernists/Writers /Cineastes,” Modern Language Association Conference, December, 1992

“Into Ellipse: Geographic and Grammatic Disappearance in Dorothy Richardson’s Pilgrimage,” paper delivered for panel: “The Politics of Location: Women,Travel and Narrative,” Modern Language Association Conference, 1991

“Recreative Delights and Spiritual Exercise” Paper delivered at the conference “The Shadow of Spirit, Contemporary Western Thought and Its Religious Subtexts,” King’s College, Cambridge, England, 1990

           

“Experimental Writing by Women and the Diagnostics of Editing,” paper delivered at the Rutgers University Conference, “Feminism in Thought and Action,” 1988   

           

“Writing The Margin: editing/publishing/theory: magazines-at-large.” Forum of editor/writers discussing editorial and publishing practices, readings of their own work, and panel discussion. Intersection for the Arts, San Francisco, 1987  
                

“Relocating the Unit of Sense: Hysteric Poetics in the Modernist Tradition of Women’s Writing,” delivered at The Barnard Conference, “The Scholar and The Feminist XIV—WOMEN IN THE 21ST CENTURY: Looking Forward and Looking Back,” March, 1987

“The Poetics and Politics of Women’s Writing,” conference, Inter-University Centre, Dubrovnik, Yugoslavia. By invitation, April, 1986

“Generic Protocols: Poetic Readings of Feminist Science Fiction; Science Fictive Readings of Feminist Poetry,” delivered at the Barnard Conference, “The Scholar and The Feminist XIII: Women’s Images and Politics,” March, 1986; and also delivered at the Feminist Studies Organized Research Association Conference, University of California at Santa Cruz, February, 1986

“Freedom  and Responsibility in Poetry,” Colloquium, by invitation, presented by St. John’s College and The Liberty Fund, held at St. John’s College, Annapolis, Maryland, March, 1986

“Poetry, Writing and Myth,”(two lectures), Artist-in-Residence Series, The Aegean College, Paros, Greece, September, 1985

Editor

Dear Kathleen, On the Occasion of Kathleen Fraser’s 80th Birthday: Co-edited by Susan Gevirtz and Stephen Motika, Nightboat Books, 2017

TANAIS / ΤΑΝΑΙΣ, Iossif Ventura, co-translated by Susan Gevirtz, Red Heifer Press, CA, 2012

Guest editor, Jacket online poetry journal: http://Jacketmagazine.com/; featured poet, David Bromige

Editorial Advisory Board, HOW 2, www. departments.bucknell.edu/stadler_center/how2, 1998–2000

Editorial Consultant, Edinburgh University Press, Edinburgh, Scotland, 1994

Editorial Advisory Board, AVEC/Syntax Projects for the Arts, Penngrove, CA, 1992–present

Associate editor, HOW(ever), journal of modernist/innovative directions in women’s poetry and scholarship, San Francisco, 1985–1990

Associate editor, with Kathleen Fraser, editor, Second Edition, Feminist Poetics, A Consideration of the “Female” Construction of Language, San Francisco State University Press, 1984

Editor, METRO Magazine, Bay Area arts and culture, San Francisco, 1981-1982

Assistant editor, ARTWEEK, West Coast Arts, 1981

Selected Poetry Readings, 1980–present

  

Yapi Kredi, Istanbul, Turkey, 2023

Green Arcade Books, San Francisco, 2023

Alley Cat Books, San Francisco, 2019

Luggage Store Gallery, San Francisco, 2019

Berkeley Art Museum, 2018

Poet’s House, Reading / Panel, New York City,  2015- 2017

Various Bookstores, New York City and Brooklyn, NY, 2014 -2018

The Poetics Program, State University of New York, Buffalo, 2006

Artifact Reading Series, San Francisco, 2006

Small Press Traffic, San Francisco, 2005

The LAB, San Francisco, 2004

The Poetics Program, State University of New York, Buffalo, New York, 2002

The Poetry Center, San Francisco State University, 2002

Dolby Chadwick Gallery, San Francisco, 2001

40th Anniversary Celebration for Burning Deck Press, Rhode Island, 2001

New Langton Arts, San Francisco, 2000

The Poetry Project at St. Mark's, New York City, 2000          

Mills College, Oakland, CA, 2000

Cody's Books, Berkeley, 1999

The Blue Bar, San Francisco, 1999

The Attic Club, San Francisco, 1999

New College of California, San Francisco, 1999

Mills College, Oakland, CA, 1999

Modern Times Bookstore, San Francisco, 1997

A Clean Well-Lighted Place For Books, Larkspur, CA, 1997

Canessa Park Gallery, San Francisco, 1997     

New College of California, San Francisco, 1996

Canessa Park, San Francisco, 1996

111 Minna Gallery, San Francisco, 1996

North Light Books, Santa Rosa, CA, 1996

111 Minna Gallery, San Francisco, 1995

The Johnny Otis Club, Sebastapol, CA, 1994

Oliver’s Books, San Anselmo, CA, 1994          

Intersection for the Arts, San Francisco, 1994

St. Marks, The Poetry Project, New York City, 1994  

Canessa Park Gallery, San Francisco, 1993

The Johnny Otis Club, Sebastopol, CA, 1993

Cody’s Books, Berkeley, CA, 1993

Teradon Gallery, Cambridge, England, 1993

Intersection for the Arts, San Francisco, 1993

Mills College, Oakland, CA, 1993

Women’s Center, Sonoma State University, Rohnert Park, CA, 1992

Reading/book release for Linen minus, Small Press Traffic, San Francisco, 1992

Small Press Traffic, San Francisco, 1992

The Ear Inn, New York City, 1991

St. Joseph College, Hartford, Connecticut, 1991

Aegean College, Paros, Greece, 1991

Intersection for the Arts, San Francisco, 1990

San Francisco Book Fair, San Francisco, 1990

The Poetry Center, San Francisco State University, San Francisco, 1989

Small Press Traffic, San Francisco, 1987

Intersection for the Arts, San Francisco, 1986

Artist-in-Residence Series, The Aegean College, Paros, Greece, 1985

San Mateo Community College, San Mateo, CA, 1982

St. John's College, Santa Fe, New Mexico, 1980

References

           

Myung Mi Kim, Professor of Poetics

State University of New York

Buffalo, New York

MMKim@buffalo.edu

Dr. Tirza True Latimer, Professor Visual and Critical Studies

California College of the Arts

1111 8th Street, San Francisco

tlatimer@cca.edu

Dr. Ardath Lee, Professor Emeritus, English

Hutchins School of Liberal Studies

Sonoma State University

Rohnert Park, CA 94928

Stephen Heath, Professor of Cultural Theory

King's College

Cambridge, England CB3 9EU

sch1000@cam.ac.uk

in memoriam reference

Barbara Guest

Kathleen Fraser, Professor Emeritus, Creative Writing

San Francisco State University